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From the novel Voice of the Goddess |
You try not to stare at her breasts - all the time wondering at the
possible significance of such a gown - while she explains that she is the
high priestess of these people, and that the vast building is their
greatest temple. She welcomes you warmly and assigns a lovely young
woman to be your hostess and escort during your visit.
After a few days, it's evident that this world is pre-iron-age; metal
objects are only of copper and bronze. And travel is mostly by foot or
cart. But it's a high culture, graced with writing and fine
architecture. Their large cities have paved roads, three-story townhomes
and, to your astonishment, flush toilets. Their art is elegant, a
celebration of religious themes and nature. Their jewelry is of such
delights as delicately worked gold, ivory, and faience. And you find no
locks on their doors.
This is 1620 BC in the Mediterranean ocean, a millenium and a half
before Christ. This is the island world of Crete.
So you think of the myth of King Minos who, it has been said, ruled
on Crete in ancient times. And of the Greek hero, Theseus, who came here
with other youths as captives from the mainland. By slaying the dreadful
minotaur - a half-bull, half-man monster who lived in the bowels of the
labyrinth that is likely the very temple where you saw the
priestess - Theseus freed his companions, and with the help of the
princess, Ariadne, escaped himself. But as you explore now, there are no
signs of a king. And the time is hundreds of years before the rise of
the Greek city-states.
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"Snake goddess," 11.5" tall, found carefully buried at Knossos)
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Imagine finally that although their world can boast of seven major
cities, and many smaller ones, there is not now and apparently never has
been warfare between these cities. And you discover that their highest
deity is female, the goddess Potnia.
The above experience is very like what happened to me when I
discovered the world of ancient Crete. I thought, Women of influence,
a peaceful existence, and a chief deity who is female! I
must learn more about these people, and if they prove to be as
remarkable as first contact suggests, I must to write their
story!
(coming next: Celebration of life, not war - a culture's art reflects
its soul)